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Katherine sneaks into Frank's cell and explains that she only married Alucard (who is really Dracula himself) to obtain immortality and wants to share it with Frank. Later, the Count appears to Brewster and Lazlo but is driven away by a cross. A local boy brought to Brewster's house confirms this suspicion-there are bite marks on his neck. Brewster has noticed that Alucard is Dracula spelled backwards and Lazlo suspects vampirism. Meanwhile, Hungarian Professor Lazlo arrives at Brewster's house. Brewster is shown reading the novel Dracula. He finds Katherine's dead body and has her transferred to the morgue. Brewster tries to convince the Sheriff that he saw Katherine alive, but the Sheriff insists on searching Dark Oaks. Frank goes on to the police and confesses to the murder of Katherine. The couple instruct him that they will be devoting their days to scientific research and only welcome visitors at night. On the doctor's arrival, he is greeted by Alucard and a living Katherine. Assuming she is dead, a shocked Frank runs off to get Dr. The bullets pass through the Count's body and hit Katherine. Her former long-time boyfriend Frank Stanley confronts the couple and tries to shoot Alucard. Katherine has been secretly dating Alucard and the two are quickly married. Claire receives all his money and Katherine his estate "Dark Oaks". Shortly after his arrival, the Colonel dies of an apparent heart failure and leaves his wealth to his two daughters. Caldwell is one of the daughters of New Orleans plantation owner Colonel Caldwell. Initial reception to the film was described as "varied" by film historian Gary Rhodes.Ĭount Alucard is invited by Katherine Caldwell to the United States. On its initial release, the trade magazine Boxoffice declared Son of Dracula as a hit in the United States where its sales were 23% above average. Son of Dracula was held back from release for about six months before its premiere in the United States, with the earliest known release date being on October 20, 1943, at Cine Olimpia in Mexico City. Few documents related to the film's production survive from studio files or trade reports. Filming began on Januand concluded on February 2. The film was initially being written by Curt Siodmak who was later replaced by Eric Taylor.
SON OF SAUL MOVIE POSTER SERIES
The film was made under different circumstances than the previous two entries in the series with a new Chairman of the Board working at Universal and several horror sequels being made since the success of the film Son of Frankenstein (1939). The film is the third in Universal's Dracula film series following Dracula's Daughter (1936). Edward Bromberg) who come to the conclusion that Alucard is a vampire. Brewster (Craven) and psychologist Laszlo ( J. Katherine begins to look and act strangely, leading her former romantic partner Frank Stanley (Paige) to suspect that something has happened to her. Katherine Caldwell (Allbritton), a student of the occult, becomes fascinated by Alucard and eventually marries him.
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The film is set in the United States, where Count Alucard (Chaney Jr.) has just taken up residence. The film stars Lon Chaney, Jr., Louise Allbritton, Robert Paige, Evelyn Ankers, and Frank Craven. Hitchcock, recognizing the depth of Bass’ talent, assigned him the role of Visual Consultant on PSYCHO. Their collaboration produced one of the most memorable moments in American cinema. Cue: shower scene.Son of Dracula is a 1943 American horror film directed by Robert Siodmak with a screenplay based on an original story by his brother Curt Siodmak. Not too shabby a starting point…īass, working closely with his wife Elaine, produced some of the most noteworthy title sequences for such filmmaking greats as Otto Preminger, Alfred Hitchcock, Billy Wilder, Stanley Kubrick and Martin Scorsese. Visually, a contemporary review of Bass’ work evokes quintessential mid-century design, drawing together the diverse modern influences of Matisse’s cut-outs, the color blocks of De Stijl, Russian Constructivism and the Bauhaus – contributions made courtesy of his own early mentor György Kepes who had studied under László Moholy-Nagy. He was welcoming audiences into the world of the film through visuals, innovative film techniques and, working closely with composers, soundtrack. Conceptually, Bass approached each sequence as an introduction to the film’s narrative and the emotions it would elicit.